-How social media is leading us to a more anti-social world-

I’ve noticed a trend in recent years among the general American public: people are not as friendly as they used to be.  Everywhere I look I see people walking around with a glower on their faces.  I’ve said hi to people who in turn looked at me like I was insane.  It seems like people are avoiding socializing. 

How can that be?  We live in a modern age where socializing has never been easier.  With the smartphone, texting and WiFi we can talk to anyone, anytime.  With Facebook and Twitter we can tell where our friends are and what they’re doing all the time. 

And funnily enough, that’s exactly the problem here. 

Let’s wind back the clock just twenty-five years.  It’s 1988.  I’m an infant, George H. W. Bush is in office and gas is $0.81 per gallon.  More importantly, technology is in a different place.  There’s a relatively new model of the portable telephone that’s becoming popular because it doesn’t require a belt-mounted battery pack, but it’s very expensive and most people don’t bother.  Yet. 

Try to think about how things were before the Internet.  I realize that’s quite a task for any college student.  I was only 8 years old when the Internet was commercialized, and only 13 when it began to rise to the throne of modern society.  It’s safe to say that if you’re 21 or younger, you probably don’t remember a time before at least some form of commercially used Internet existed. 

Anyone older than me probably does remember a time before the Internet was a thing.  Try to remember how social interactions worked back then.  There were only two ways to instantly communicate: you either talked in person or you talked on the phone, but since most phones were grounded with cables you usually just used them to arrange a time and place to socialize in person.

It’s difficult for teenagers to socialize at first, it always has been.  But back in 1987, you either talked to people in person or you would be spending a lot of time alone.  To have a healthy level of social interaction you had to leave your comfort zone and say hello to strangers.  And once people did that a few times, and then it became second nature.

Before I go on, I realize this is not true of everyone.  Bullying plays a large role in social awkwardness.  I know because I was a victim, and the cruelty of my youthful peers followed me through high school and well into adulthood.  But that’s a separate issue I’ll be sure to tackle in a future column. 

Now, let’s come back to today.  2013, Barack Obama, Twitter, iPhone, etc.  The reason teenagers are not as sociable as they used to be is simple: they no longer need to be.  It’s no longer necessary for them to leave their comfort zones.  Why?  Because they have a device that lets them interact with their friends at all times.  Friends, as in their own little clique, people they’re already comfortable with, people they know won’t judge them or be rude to them. 

At work the other day I talked to a co-worker about this phenomenon.  I wanted his opinion on it because he’s much older than I am and spent most of his life in the pre-social media world.  He was born in 1940.  Those of you who know him call him “Bull.” 

Bull says he has noticed the trend as well.  He told me that he often goes to Atlanta, and when he makes eye contact with a younger person, they immediately whip out their phones and bury their faces in them.   When he mentioned that I recalled an incident where a young lady came in to shop with her mother and never once looked away from her screen from the moment they walked in to the moment they left. 

We’re not the only ones who have noticed.  My mother works with the public as well, and she has told me that when she goes to lunch she sees families sitting around restaurant tables with mother, father and children all enamored with their screens and not interacting with each other in the slightest. 

With all of this going on, is it really any wonder that we end up with socially degenerate teenagers that think it’s funny to plant homemade soda-bottle bombs in people’s yards?  Or who end up pregnant and addicted to Meth at age 13?  I realize that social media has only been a big thing for about 10 years now, but do you really think that the aforementioned situations are going to make things better? 

But for all my ranting, I have to admit that I don’t really have a solution.  I guess technology is like anything else.   If you use it responsibly, it can do a world of good.  Look at me, after all; I’ve been using the Internet for paid work for years now.  However, like everything else in life, be it food or medicine or television, using it in such extreme excess can be terribly destructive. 

One thing I will say: I see kids younger and younger with cell phones all the time.  I’ve seen a girl who couldn’t have been older than 10 pull an iPhone out of her purse and peck away at it.  To all my old friends who are now parents, all I ask is that you spend some time discussing when the right time is to give your child that sort of freedom and responsibility.  It could have a huge impact on said child’s ability to comingle in the future.

Adam Alexander © 2013
 
Picture

     Tonight I was looking through an archive of humorous pictures when I came across some that poked fun at obese children.  Below the picture was a menagerie of Facebook user cracking jokes of their own. 

     I was obese as a child.  I suffered through it for as long as I can remember.  I was severely ridiculed about it.  Through elementary and middle school people often poked my stomach and made the Pillsbury Doughboy “woo-hoo” sound. 

     I had many nicknames then: Chunky, Doughboy, Fat-Ass, Big Boy…the list goes on.  In seventh grade I had a teacher who ridiculed me about it in front of the class.  Some bullies never outgrow the habit.  Even an aunt of mine used to pat me on the stomach and tell me what a big boy I was becoming.  I’m sure that was meant in innocence, but it felt the same to me.  Most don’t know this, but I often considered suicide as a child.  The psychological torment from so many of my peers was more than I could bear.

     For my childhood obesity, the fault tragically falls on my parents.  Don’t get me wrong: I could not have asked for better parents.  They loved me fiercely, they always encouraged me while growing up, they always made time for me, and they made clear to me right and wrong.  But, like everyone else in the world, they were not perfect.  My weight was one of their mistakes. 

     My mother always pushed food on me growing up.  Always.  I was not allowed to leave the table until I finished everything on my plate.  I was certainly not allowed to have dessert until my plate was clean.  We also had dessert every night, and it was always something like cake or pie or ice cream. 

    My parents also never made me exercise.  I was a gamer, and they were content to let me do that as the pounds packed on over the years.  I ran my first 5k a week ago, and while I was there I saw hundreds of parents with their children.  My parents never took me to those sorts of event. 

     Again, please don’t misread what I’m saying (especially if you are one of my parents).  I love my mother and father with all that I am.  They get an “A +” for raising children.  Believe me, compared to what many children go through, obesity is a relatively benign mistake for a parent. 

     And that’s my bit on parental responsibility.  A lot of my old college buddies have kids now, and to you I would say this: if your child says he’s full, accept that.  If he wants a bowl of cereal for dinner instead of three slices of meatloaf with ketchup and buttered corn on the side, let him have it.  You’re not doing him any favors by pushing food on him.  To this day I still sometimes have to get firm with my mother when she continually insists I eat more out of habit. 

     Now for personal responsibility.

     I know that a lot of people can probably relate.  Like me they were overweight all through childhood and it’s primarily because their parents didn’t control their eating habits.  In many cases the parents are also terrible eaters and they pass the habit along to their kids.  However, I also see many people my age and older using this as an excuse for their weight problems. 

     My dilemma: my parents made me obese as a child.  My answer to myself and anyone else after the age of eighteen: tough shit. 

     “But it’s not fair!” they say.  Life’s not fair.  When you enter adulthood the responsibility becomes yours to correct your flaws.  Whatever happened to you as a child, you must learn to rise above it.  This is something a person who recently exited my life taught me, and something I should have known all along. 

     Don’t be too hard on yourself if you struggle with your weight.  I still do.  I’m worlds better than I was before, but I still have a long way to go.  I know it’s hard.  Believe me, no one knows more than me how hard it is to turn a lifetime of weight problems around. 

     Some look around at gyms and fun runs and think “Well look how many people are in good shape, it can’t be that hard for those overweight folks.”  What they don’t realize is that 70% of Americans are overweight, and of the 30% that are not, most of them have never had problems with their weight, or never for more than a few months or year.  For someone to come back to the side of fitness from a lifetime of obesity is actually a pretty rare occurrence. 

     Our bodies naturally resist change.  That’s what they’re programmed to do, to keep up habits that avoid pain and give comfort.  So to radically change one’s diet from a burger and pie fest to a salad bonanza is exceedingly difficult because your subconscious will try to force you back into your old eating habits.  You’ll get cravings for fatty foods because that’s what your body is used to consuming and that’s what it has become comfortable with. 

     It's also important to realize that we're programmed to overeat.  This comes from our nomadic ancestors who were hunters.  They had no way of knowing when the next chance they would have to eat would come, so they ate as much as they could when the opportunity was present.

     To my readers who struggle with weight, have you ever noticed that your body tends to stick to a certain weight whether you change your diet for the better or for the worse?  That’s because there’s a weight your body is accustomed to, and initial deviations from that norm will be met with bodily resistance. 

     It’s on you to push past those resistances.  You cannot make excuses for yourself.  Whatever your reasons, whether it be a better physique or lower cholesterol or the ability to get up the stairs without getting out of breathe, you have to make a commitment.  It took me eight years to realize that.  Don’t make the same mistakes I did. 

     Is it impossible?  Not at all.  Is it going to be hard?  Damn right it’s going to be hard!  It’s going to hurt and every fiber of your being is going to scream at you to go back to your old habits of eating fatty foods and sitting on the sofa.  But it’s ultimately up to you to make the decision to overcome your own mind. 

     Doing this is more rewarding than you might realize.  As Buddha once said, “to conquer one’s self is greater than to conquer thousands in battle.”  That conquest will never happen if you’re not willing to endure the pains of battle. 

     Conquer thyself and the world will never intimidate you. 

                                                            Adam Alexander © 2012

 
  This interview sadly never took off.  For what it's worth, I put it here, hoping someone will see it.

     It's nine o' clock on the night of Monday April 18th.  I'm sitting on an old couch in a small lounge at a respectable recording studio in downtown Atlanta.  There's a coffee table and a large flatscreen in the room, as well as a couple of vending machines.

     It's the last place I thought I'd be tonight, and the last thing I thought I'd be doing is interviewing a rising television and music star.  It's interesting how small, seemingly insignificant events can lead to much larger ones. 

     Sitting on the other end of the couch is a young man with one leg propped on the glass coffee table in front of us and one arm tossed casually over the back of the couch.  He's wearing a green plaid shirt, black jeans, and heavy black boots.  Hanging from his neck is a long silver chain with a crucifix attached at stomach-level.

     His name is Leon Thomas III.  He's seventeen years old and already more successful than most.  He's in Atlanta for a recording session and to volunteer his time at local community festivals.

     He's known across the U.S. for his acting, particularly his role as Andre Harris on the popular Nickelodeon show "Victorious."  He's also appeared in two films, Rising Stars and August Rush.

     His eyes are heavy with exhaustion.  Why shouldn't they be?  This is probably his first chance to sit and gather his thoughts in several weeks. 

     He spent the past Saturday signing autographs and performing for high school students from dawn to dusk at the Kennesaw Big Shanty Festival, and Sunday in the recording studio. 

     After we're done talking, he'll be up until the crack of dawn working in the studio.  At eleven am he has a photo-shoot.  After that, more studio time, then he flies back to L.A. for another shoot and more studio time, before flying to Tennessee for even more studio time.

     "These last couple months have had very, very, very little down time." He tells me.  He says that moments to relax are rare, so he makes them count.      

     "When I get my down time, I just take it.  I take a nap, I relax, I chill with friends and family."  he says with a look of reminiscence, like he wishes that those moments came more often. 

     Who could blame him?  The average citizen spends half his week working and the other with friends and family, but here is a kid, a kid, no less, who spends most of his time on TV sets and in recording booths.  He seems to spend most of what little time remains on airplanes and in cars traveling from one show or benefit to another.

     Fame certainly has its price, it seems, and not just for the star. 

    Flash back one hour.  I'm stepping out of my Mustang at the dark rear entrance to the recording studio.  Standing outside is Marco Tudor, manager for Leon Thomas and the man who granted me the upcoming interview with him.   

     "You made it," he says to me as I step out.  He exhales a long stream of smoke and expresses what a hectic week it has been for Leon and his entire family.

     "I haven't slept in forty-eight hours," he tells me.  I cannot even begin to imagine that.  I have personally never made it twenty-four without passing out. 

     After a moment, leads me into the recording studio, a small room packed with some extremely impressive hardware.  On the keyboard to the right is a slim man, slightly shorter than myself.  He identifies himself as "Novel." 

     Later in the evening I would ask Novel about his work with Leon Thomas. 

     "This dude right here is one of the most talented kids I've ever worked with, seriously," He says with notable enthusiasm.  "And I've worked with Leona, Alisha, Joss Stone, tons of artists."

     Novel tells me that Leon's talent's translate extremely well from singing live to singing from the booth.  He tells me such a trait is rare among recording artists. 

     "His voice is so clean, and his runs are rich." Novel says with animated enthusiasm.  The lingo is a bit lost on me, but I assume it means that Thomas's voice doesn't lose sound quality when he's in the recording booth. 

     Novel isn't finished, though.  "(Leon) is the most humble (artist) I've ever met." He says.  Marco nods his affirmative.  "This guy is like my little brother now!" he says, invoking laughter from the room. 

     Back at my interview with Leon, I feel compelled to ask him the question I would like to ask many celebrities: what would he do for a living if he hadn't chosen singing or acting?

     He gave me an answer without missing a beat. 

     "If I didn't do (singing or acting), I would actually love to own a restaurant."  He tells me.  I half expected to hear something akin to "I could never do anything else," but it seems Leon has given this some thought. 

     "I'd like to serve new age soul food.  Kind of like a modern age Juke Joint."  he says.  He stares into space as he speaks, apparently envisioning a parallel universe, one with Leon Thomas III, successful restaurateur. 

     "(I would) have like a bunch of artists come through and perform, you know, local bands do their thing," he says.  "Just good music, good times.  It would be a really fun atmosphere."

     On the topic of film, I ask Leon if he would like to transition into a full-time film star in the future.  He pauses for a moment to gather his thoughts. 

     “Film…it’s a totally different experience (to television).”  He says.  “On a TV show, it’s like going to a high school.  In film, it’s like summer camp.” 

     Leon describes for me the experience of film, saying that it’s tough in the sense that while working on a film, he grows to like the cast and crew. 

     “And then, you wrap.” He says.  “You really get to know people, and then, it’s over.” 

     Despite this, he tells me he’s eager to experiment more with Film. 

     The next part of our chat is particularly interesting.  At this point, I’ve learned quite a bit about Leon Thomas the actor, and I’ve gotten to know Leon Thomas the person, yet I know little about Leon Thomas the artist.

     In media, his career as a singer tends to take a back seat to his career as a actor, which his yet to really kick off since he has not released an album yet.  One need not look further than here for proof of that:  The first 1,000 words of this article talk about his acting. 

     So what about Leon the artist?  Well, he plays five instruments, which dwarfs me at two.  Does he prefer singing to acting? 

     “I enjoy both,” He says.  “The fact that I’m able to become a different person on screen…is a trip in itself.”  He says. 

     “But for music, the fact that I’m able to express myself…” He pauses.  “It just takes me to a different place.”  He tells me that both have their highs and their lows, but he couldn’t bring himself to like one more than the other. 

     “They’re like twins to me.”  He concludes. 

     I ask Leon which element of a musicians’ life he’s looking forward to the most.  His face contracts with thought.  After a beat, he speaks. 

     “It’s a feeling that I’ve yet to capture,” He says, shifting on the sofa. 

     He spends the next minute detailing for me that there’s no substitute for the actual experience. 

     “This is something I’ve seen on TV, I’ve seen in movies,” He says.  “It’s when you’re n stage, and you’ve got about two, three thousand people out there, and they take the microphone, and they go like this,” He gestures placing the microphone up to my face.  He tells me that it’s a feeling one must experience to fully understand. 

     Leon says that what he’s looking forward to the most as a musician is a chance to tour the world and spread his message to younger kids. 

     “I want to be able to touch people with my voice, and with my morals,” He says. 

     So what is the message?

     “Everybody can make a difference.  It’s just who you surround yourself with, and the drive that you’re willing to put into it.”  He says he believes in hard work and believing in one’s own dreams, and he wants to help people to understand that.

     We’ve all heard those lines before, and we all tend to take them with a grain of salt. I’ll leave you with a final quote to mull over, though.  It comes from studio guitarist Tony Reyes, with whom Leon was working with in Atlanta. 

     Reyes has worked with some of the biggest names in modern music, including Christina Aguilera and Shakira.  It’s safe to say that he’s a veteran of the industry. 

     It’s a simple quote, but if there’s one thing one learns in journalism, it’s that the simplest statements often carry the most weight, especially when they come from the right person. 

     “(Leon) gives me hope for the future of music.” 

    

    

Adam Alexander © 2011